As part of our 2017-2018 season we’re continuing to give each of our core singers a turn at the helm of the blog. The below post below comes from our baritone and director, Jeffrey Gavett.
As musicians working in contemporary music, we have a lot of first chances at things. Whether we’re first cracking open a new, ink-still-wet commission written just for us, or digging into an existing, new-to-us work for the first time, a lot of our work consists of first encounters. This is an exciting way to be dealing with art and life, and I’m sure that this is at least part of what draws many of us to this field.
Because of this state of affairs, second chances are even more special to me. Every piece that’s ever been performed has a premiere; not every piece gets a second performance. This week we’re giving the second performance of End Words, a substantial piece written for us by Christopher Trapani, and commissioned by Chamber Music America.
Coming back to a piece after the premiere, I look at it with totally different eyes. Despite the hours and hours we spent rehearsing the piece for the premiere, I’ve found new questions to ask the composer, finding ambiguity in passages that I previously read through without a second thought. Certain sections feel internalized and ‘finished’, while others feel totally foreign – did my score change in the last six months?
A second performance still requires a deep reassessment of the work. The piece isn’t brand new, but it also isn’t at all a repertoire standard yet. Sometimes I find it useful to take the process of learning for a second performance more like another chance at a first engagement with the score, walking the same paths with a different intention. What if, instead of focusing on hearing a section harmonically, I focus on the linear intervals; instead of a rhythmic focus, what about a melodic one? A great piece of music can yield new insights with each performance, and ideally, the second performance is a chance to go in a different direction than the first, further opening the possibilities. I’m very excited for this second performance – and maybe even more so for the third, coming up this May. What could be better than a second second chance?
Tags: Christopher Trapani